Jazz Trumpet Licks

Here is a fairly simple exercise that will help you develop and incorporate the use of diminished arpeggios into your Jazz trumpet solos. Diminished arpeggios, whether you use them in full or partially, are a great pattern to have under your belt as they kind of go hand in hand with the bebop scale in keeping your Jazz lines going.

Here is a sound sample of the diminished exercise on trumpet:

How to work this diminished exercise in 12 keys:

I find it best to think in stacked minor 3rds. It really doesn’t matter what note you start on. It’s best to get in the full comfortable range of your horn. All you are doing is going down 4, half step down, up 4, half step down, down 4, etc…

To get every key both up and down you’ll just want to go up or down a half step from where you started in the first exercise and do the same thing over. Now you are alternating the diminished arpeggio both up and down.

Make sure to use a metronome on this exercise, I apologize for not doing so myself. Once you got the pattern down, try to start incorporating it into your Jazz playing. A good start is on the V7 to I chord. Start on the 3rd of the V7 chord and land on the 5th of the I chord. You’ll get the b9 involved and it sounds really hip.

I got this ii V7 I Jazz lick from David Baker’s How to Play Bebop – Volume 1 book. Lots of great bebop licks in that book, highly recommended, you won’t be disappointed in all the nice Jazz licks you’ll learn from it. Anyway, this ii V7 I lick starts off with the bebop scale and finishes with a diminished pattern landing on the tonic of the I chord.

Here is a sound sample played on trumpet:

How to memorize this ii V7 I lick in 12 keys:

Just know that it starts on the tonic of the bebop scale you will be playing, or you can just think tonic of the key you are in on the ii V7 I Jazz lick. The lick goes up to the 3rd of the bebop scale you are currently on, then goes down the bebop scale until you land on the 5th. Next, you’ll switch to a diminished stacked 3rd approach. In the above example it starts on C#.

What is a minor 3rd above C#? That’s right, E. What is a minor 3rd below C#? That’s right, Bb or A#, however you want to memorize it. Do you see the pattern here? The lick simply finishes off going down stacked minor thirds until you land on the tonic (1st position) of the I chord.

In my experience, some keys are easier than others. But this is a nice Jazz lick to have in your back pocket whenever you see the need for it.

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I heard Tom Harrell play this Jazz lick, but I can’t remember where from. It’s a pretty easy Jazz lick to learn in 12 keys and to incorporate into your Jazz improv playing. I hope you enjoy and use the Jazz lick just as much as I do.

Here is a sound sample played on trumpet:

How to memorize the Jazz lick in 12 keys:

I think bebop scale when I play this lick. I don’t care whether or not I’m playing it over a ii V7 I or not. The Jazz lick fits over a lot of different chords. Know that the lick starts on the tonic of the bebop scale you’re on, a 5th above the ending I chord (in the above example it’s G). Go down to the b7th, then up the bebop scale to the 2nd, next go up a minor 3rd to C, then down bebop scale. Continue down the bebop scale without the major 7th until you land on a chord tone of the I chord. Which in the above example is the 3rd of C.

I also added the b9 on the V7 chord, which in my opinion sounds a whole lot cooler than just playing a regular 9 on the V7 chord. What do you think?

I heard Tom Harrell play this Jazz lick in the beginning of his trumpet solo on Scrapple From the Apple off his Moon Alley album. This lick doesn’t necessarily have to be played over a ii V7 I, it can be played over a regular major chord as well. It’s a very scale like Jazz lick so it’s easy to play on trumpet.

Here is a sound sample played on trumpet:

How to memorize this Jazz lick in 12 keys:

Like I said before, since this Jazz lick is very scale like, it lays very nicely on the trumpet. You can either think of the lick as a G bebop scale lick with a raised 4th, or a C major lick with a b9 (or raised tonic). I prefer to think of it as a C major lick with a b9 in it.

If you prefer memorizing the lick in major think of starting on the 5th of whatever key you’re in, then play the major scale up to the 4th, then go down to the b9, up to the 3rd, and finally finish the scale out landing on the 3rd of the I chord.

If you prefer memorizing the lick thinking in dominant then just know that you’ll start on the tonic of whatever dominant scale you’re starting on, go up the scale to the b7, down to the #4, up a minor 3rd from that, then just finish out the dominant scale down landing on a chord tone of the I chord.

Feel free to embellish on the lick and make it your own.

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This bebop lick goes up in ascending 3rds through the bebop scale. It is kind of like one of those basic exercises you’ve learned out the of the Arbans book. The only difference is that there is a half step between each ascending 3rd. I apologize in the video I said the Jazz lick goes up in major 3rds, but as you can see the lick really goes up in major and minor 3rds.

I got this lick from The Be Boppers Method Book Volume I for B flat Instruments with CD by Wendell Harrison. This is a great book full of good bebop exercises and patterns to work on.

Here is a sound sample played on trumpet:

How to learn this bebop pattern in 12 keys:

The lick just goes up in major and minor 3rds up the bebop scale. Try the bebop lick without the half steps in between the 3rds first. Then just add the half steps. If you are already familiar with all your bebop scales, this should be a pretty easy bebop lick to incorporate into your bag of licks.

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