Jazz Trumpet Licks

I would like to show you an easy way to use the cry me a river Jazz lick over a ii V7 I chord progression. There are many ways to incorporate the cry me a river lick into your Jazz solos, but this is one of the first ways I learned how to do so and I’ve been using this technique ever since.

Here is a sound sample on F blues progression with trumpet:

How to memorize the cry me a river lick in 12 keys:

For this ii V7 I Jazz lick, the only important chords are the V7 going to the I chord. All you have to know is you are starting on the flat third of whatever chord the V7 chord is. In the above example, F natural is the b3 of the D7 chord. You can play whatever your heart desires on the ii chord. After you play the cry me a river Jazz lick, your goal is to land on either the 3rd or 5th chord tone of the tonic chord. You’ll notice in the above example, I used an enclosure going to the 5th of the I chord, this is optional, but enclosures always sound great.

As far as memorizing the cry me a river lick, for me this Jazz lick was memorized easiest by feel. This is because it usually goes by pretty fast and it’s a little bit easier to memorize in some keys better than others.

I know this arpeggio exercise doesn’t look like much. But if you practice it enough and get it down in 12 keys both up and down the augmented triad, it will help you develop your use of the augmented triad within in your own improvised Jazz solos. This post falls within the whole tone category because augmented triads are part of the whole tone scale.

You’ll be able to play the augmented triad starting on any note within your Jazz solo. As we all know, augmented triads sound great and make good use of leading your solo into the next chord change.

Here is a sound sample/demonstration on trumpet:

How to work on this exercise to learn it in 12 keys:

As you can see in the above example, you simply start on the raised 5th of whatever triad you are starting on. It doesn’t matter which note you start on, because you’ll want to get used to starting off the exercise on different notes to develop your overall technique. If you look closely, there are only 4 augmented arpeggios you are working on. They just start on different notes as you go through the exercise.

From there, you’ll see that the exercise simply alternates up and down in half steps. You can change it up a little bit and do whole steps if you get tired of half steps, it’s entirely up to you.

If you decide to learn the exercise in half steps like I prefer, then all you have to do is go up a half step from G# to A and do the same exercise up a half step all over again. Now you’ll hit all 12 keys and have alternated both up and down for every key.

Now when you take your next Jazz solo, or play your next Aebersold, you’ll want to attempt to bust an augmented arpeggio out somewhere. Preferably over a V7 chord go to a I chord. It works in as many places as your imagination can conjure up.

This ii V7 I Jazz lick I heard Clifford Brown play is pretty easy to learn and implement into your Jazz solos. If you look towards the end of the Clifford Brown Jazz lick you’ll see an enclosure. If you don’t know what a Jazz enclosure is, it’s where you go up a half step then below a half step towards a chord tone. You’ll see that Clifford Brown did an enclosure on the 5th of the I chord.

Here is a sound sample on trumpet:

How to memorize this Jazz lick in 12 keys:

Notice that the lick starts on the I of the ii chord, does a pentatonic down to the 4th, then I continue to think in C minor going to the 2nd down to the harmonic raised 7th. Then the cool part of the lick hops from C to G to C to A, then down the scale with an enclosure at the end landing on the 5th of the I chord.

This is how I memorized the lick, it doesn’t mean this method is going to work for you. This lick sounds nice over a break before you begin your solo, an example would be the break in the tune Four.

Clifford Brown takes a great trumpet solo on the tune Confirmation. I really wanted to share this Jazz trumpet solo with you. Clifford Brown is known for using a hard tongue in his Jazz solos.  Clifford Brown also uses a lot of quick flips or turnarounds that he puts in pretty much everyone of his trumpet solos. Notice how Clifford Brown nails all the ii V7 I chords in Confirmation. This Clifford Brown trumpet solo is from his album entitled: The Complete Blue Note & Pacific Jazz Recordings. I believe Confirmation is on the last CD in this set. There are 4 CDs included with this purchase.

**Note: Audio has been removed from this post.

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