Jazz Trumpet Licks

Here is a fairly simple exercise that will help you develop and incorporate the use of diminished arpeggios into your Jazz trumpet solos. Diminished arpeggios, whether you use them in full or partially, are a great pattern to have under your belt as they kind of go hand in hand with the bebop scale in keeping your Jazz lines going.

Here is a sound sample of the diminished exercise on trumpet:

How to work this diminished exercise in 12 keys:

I find it best to think in stacked minor 3rds. It really doesn’t matter what note you start on. It’s best to get in the full comfortable range of your horn. All you are doing is going down 4, half step down, up 4, half step down, down 4, etc…

To get every key both up and down you’ll just want to go up or down a half step from where you started in the first exercise and do the same thing over. Now you are alternating the diminished arpeggio both up and down.

Make sure to use a metronome on this exercise, I apologize for not doing so myself. Once you got the pattern down, try to start incorporating it into your Jazz playing. A good start is on the V7 to I chord. Start on the 3rd of the V7 chord and land on the 5th of the I chord. You’ll get the b9 involved and it sounds really hip.

I got this ii V7 I Jazz lick from David Baker’s How to Play Bebop – Volume 1 book. Lots of great bebop licks in that book, highly recommended, you won’t be disappointed in all the nice Jazz licks you’ll learn from it. Anyway, this ii V7 I lick starts off with the bebop scale and finishes with a diminished pattern landing on the tonic of the I chord.

Here is a sound sample played on trumpet:

How to memorize this ii V7 I lick in 12 keys:

Just know that it starts on the tonic of the bebop scale you will be playing, or you can just think tonic of the key you are in on the ii V7 I Jazz lick. The lick goes up to the 3rd of the bebop scale you are currently on, then goes down the bebop scale until you land on the 5th. Next, you’ll switch to a diminished stacked 3rd approach. In the above example it starts on C#.

What is a minor 3rd above C#? That’s right, E. What is a minor 3rd below C#? That’s right, Bb or A#, however you want to memorize it. Do you see the pattern here? The lick simply finishes off going down stacked minor thirds until you land on the tonic (1st position) of the I chord.

In my experience, some keys are easier than others. But this is a nice Jazz lick to have in your back pocket whenever you see the need for it.

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I got this rhythmic diminished lick listening to a good trombone player friend of mine. It’s a real easy diminished lick to incorporate into your improvised Jazz solos. You don’t have to play this diminished pattern how it is written, be creative and come up with your own variation of the lick.

Here is a sound sample played on trumpet:

How to memorize this diminished lick in 12 keys:

Since this is a diminished lick you’ll only need to learn the lick in 3 keys depending on which note you start on. As you can see, this diminished lick is just going down in half steps a minor 3rd apart, but it skips around a little bit. The stacked minor 3rds in the above example are C, Eb, F#, and A. The easiest way to memorize this diminished lick then is to think in stacked minor 3rds throughout the whole lick knowing that you are just going down a couple half steps between each minor third.