Jazz Trumpet Licks

Here is something you can work on, it’s not the easiest pattern to master in all 12 keys, but it’s a good Jazz exercise to work. This major triad pair combination from the Coltrane Matrix can be used on a lot of different styles of music, especially modal tunes.

Here is a sound sample played on trumpet:

How to memorize this pattern in all 12 keys:

There really isn’t any trick to memorizing this Jazz pattern in 12 keys. The main advice I can give you is that a lot of repetition and hard work will get you there. Basically, all you are doing in the above example is playing the major triad of the fourth and fifth degree of the C major scale. I don’t stick to a solid pattern when I work on the lick. I just skip around going through all 12 keys until I find a pattern that sounds really hip, then I lean on that pattern.

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I can’t remember where I got this whole tone pattern from, but the Jazz lick sounds cool to play so I wanted to share it with you. The lick was a little tricky for me to get down on trumpet because of the fingering it requires. I hope the lick is a lot easier for you to learn than it was for me. If anything, you can use this whole tone pattern as a good trumpet fingering exercise.

Here is a sound sample on played on trumpet:

How to memorize this Jazz lick in 12 keys:

This Jazz lick is a whole tone lick so you’ll “technically” only need to learn it twice. When I think of executing this Jazz pattern, I think in a combination of going down the augmented triad from the note I start on. In the above example you’ll start on the 3rd of the C augmented triad. So you’re in second inversion because the 5th is the bottom note.

If you look at the example above, the first note of each measure is part of the augmented triad you are thinking in. If you’re not familiar or comfortable playing augmented triads, a good exercise is to just go up and down each augmented triad going up in whole steps, half steps, and alternating in between them until you really have a good feel for them.

So, as you can see the whole tone pattern simply repeats itself over and over again going down the augmented triad. The pattern you’re repeating is ( 3 1 2 3 Aug triad down). Thats it, or at least that is how I memorized the lick. You may find a more comfortable way. Whatever works for you!

I heard Tom Harrell play this Jazz lick, but I can’t remember where from. It’s a pretty easy Jazz lick to learn in 12 keys and to incorporate into your Jazz improv playing. I hope you enjoy and use the Jazz lick just as much as I do.

Here is a sound sample played on trumpet:

How to memorize the Jazz lick in 12 keys:

I think bebop scale when I play this lick. I don’t care whether or not I’m playing it over a ii V7 I or not. The Jazz lick fits over a lot of different chords. Know that the lick starts on the tonic of the bebop scale you’re on, a 5th above the ending I chord (in the above example it’s G). Go down to the b7th, then up the bebop scale to the 2nd, next go up a minor 3rd to C, then down bebop scale. Continue down the bebop scale without the major 7th until you land on a chord tone of the I chord. Which in the above example is the 3rd of C.

I also added the b9 on the V7 chord, which in my opinion sounds a whole lot cooler than just playing a regular 9 on the V7 chord. What do you think?

Here is a pretty easy ii V7 I Jazz lick to learn. A trombone player I used to work with showed this lick to me.  This lick is basically a minor pattern that repeats itself going down a half step to land on a chord tone of the I chord.

Here is a sound sample played on trumpet:

How to memorize this ii V7 I lick in 12 keys:

Start off by learning the minor pattern by itself first by going down in half steps all the way through the 12 keys, then apply it to a ii V7 I chord progression. This is the minor pattern: 5 b7 5 3 2 1. In the above example, you start on the 5th of the ii chord, play the minor pattern, then play it again down a half step, then finally land on the tonic of the I chord.

This minor pattern is useful by itself as well. Mess around with the pattern to find out how it’ll fit into your Jazz improvisation.

I got this rhythmic diminished lick listening to a good trombone player friend of mine. It’s a real easy diminished lick to incorporate into your improvised Jazz solos. You don’t have to play this diminished pattern how it is written, be creative and come up with your own variation of the lick.

Here is a sound sample played on trumpet:

How to memorize this diminished lick in 12 keys:

Since this is a diminished lick you’ll only need to learn the lick in 3 keys depending on which note you start on. As you can see, this diminished lick is just going down in half steps a minor 3rd apart, but it skips around a little bit. The stacked minor 3rds in the above example are C, Eb, F#, and A. The easiest way to memorize this diminished lick then is to think in stacked minor 3rds throughout the whole lick knowing that you are just going down a couple half steps between each minor third.