Jazz Trumpet Licks

Here is an easy ii V7 I Jazz lick to learn in 12 keys. I was messing around with some Aebersolds a few days ago and started playing it. I knew I heard the lick before somewhere, it sounded really old school to me, yet still hip enough to play. It really sounds cool if you land on the raised fourth instead of the third on the I chord. The reason I call the lick old school is because it sounds like something an old school cat would play.

Here is a sound sample and example over a blues progression played on trumpet:

How to memorize this ii V7 I Jazz lick in 12 keys:

Well, you’ll notice that the Jazz lick simply starts off on the tonic of the ii chord. I like to think in minor for pretty much the entire lick. In the above example, you just go down the D minor scale doing a little turn on the sixth and doing a chromatic to the b5. Then you’ll hit the third scale degree of the V7 chord. I think to the b7th, then down the minor arpeggio doing pretty much whatever you like finally ending on the 3rd of the I chord.

I since this lick isn’t very fast and if you think about the minor scale, this Jazz lick is probably easy enough to learn by ear and feel in 12 keys.

If you haven’t heard this energetic Freddie Hubbard trumpet solo yet you’re in for a real treat. Freddie Hubbard plays a lot of good minor Jazz licks in this solo with a few good licks that are definitely worth learning. I also like how Freddie Hubbard really gets into his solos and takes the mouthpiece off his lips to break his solos up a little bit.

Apparently this video was taken back in 1984 with the Art Blakey Jazz Messengers in Tokyo Japan. The tune is A La Mode.

I know this arpeggio exercise doesn’t look like much. But if you practice it enough and get it down in 12 keys both up and down the augmented triad, it will help you develop your use of the augmented triad within in your own improvised Jazz solos. This post falls within the whole tone category because augmented triads are part of the whole tone scale.

You’ll be able to play the augmented triad starting on any note within your Jazz solo. As we all know, augmented triads sound great and make good use of leading your solo into the next chord change.

Here is a sound sample/demonstration on trumpet:

How to work on this exercise to learn it in 12 keys:

As you can see in the above example, you simply start on the raised 5th of whatever triad you are starting on. It doesn’t matter which note you start on, because you’ll want to get used to starting off the exercise on different notes to develop your overall technique. If you look closely, there are only 4 augmented arpeggios you are working on. They just start on different notes as you go through the exercise.

From there, you’ll see that the exercise simply alternates up and down in half steps. You can change it up a little bit and do whole steps if you get tired of half steps, it’s entirely up to you.

If you decide to learn the exercise in half steps like I prefer, then all you have to do is go up a half step from G# to A and do the same exercise up a half step all over again. Now you’ll hit all 12 keys and have alternated both up and down for every key.

Now when you take your next Jazz solo, or play your next Aebersold, you’ll want to attempt to bust an augmented arpeggio out somewhere. Preferably over a V7 chord go to a I chord. It works in as many places as your imagination can conjure up.